![]() ![]() We need to be careful as mixing engineers not to be duped into thinking something sounds better just because it sounds louder, or it sounds worse just because it sounds quieter. However, another thing that the plug-in is doing is it’s increasing the overall level of my input signal, so when I A/B back and forth, it’s difficult to tell if it’s the tonal shaping that I like, or just the overall level that I like. I’ll turn up the input drive to add in some harmonics, and I’ll see if I like what this is doing.Īlright, so I think I like what tonal shaping the plug-in is doing. Am I adding something in that I like? Or, you have to check and make sure that it’s not doing something that you don’t like and making it sound worse.Īn example, let me send a kick drum through the Waves NLS channel. So what you might do is add in a plug-in, dial in some settings, and see if the plug-in has improved the sound. So, when you’re working on a mix, a lot of times you’ll focus on individual instruments and tracks, try and process them in a way that improves the sound of the original recording. ![]() I came up with a trick that I want to show you that addresses an issue that shows up all the time when you’re working on a mix.įirst, I’ll talk about the problem, then I’ll get to the solution. ![]()
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